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March 10, 1986 (Now for the Hard Part), 2024
Ink and enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

December 17, 1990 (The Sleep Gap), 2024
Ink and enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

August 19, 1996 (Life on Mars), 2024
Ink and enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

December 25, 1978 (Carter, Teng, Begin, Kermit), 2024
Ink and enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

August 25, 1986 (Death and Taxes), 2024
Ink and enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: A Universal Picture, Karma, New York
Photo: Max-Lee Russell

March 3, 1923 (Vol. 1, No. 1), 2022
Enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Sideways Thought
Galerie Frank Elbaz, Paris, France
Photo: Claire Dorn

December 25, 2006 (You.), 2022
Enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Sideways Thought
Galerie Frank Elbaz, Paris, France
Photo: Claire Dorn

December 31, 1999 (Person of the Century: Albert Einstein), 2022
Enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Sideways Thought
Galerie Frank Elbaz, Paris, France
Photo: Claire Dorn

January 1, 2000 (Welcome to a New Century), 2022
Enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Sideways Thought
Galerie Frank Elbaz, Paris, France
Photo: Claire Dorn

December 28, 2015 / January 4, 2016 (The Year Ahead), 2022
Enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Sideways Thought
Galerie Frank Elbaz, Paris, France
Photo: Claire Dorn

April 22, 2013 (Made in the USA), 2014
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Theories on Forgetting
Gagosian Gallery, Beverly Hills, USA, 2015
Photo: Jeff McLane, courtesy Gagosian Gallery

May 24, 1968 (Robert F. Kennedy) / July 6, 1968 (The Gun in America), 2014
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each
Exterior view, Mungo Thomson: Nagori Yuki
Isetan Shinjuku, Tokyo, 2021
Photo: Shimpei Suzuki

Installation view, Galerie Frank Elbaz, Paris, France, 2013
Photo: Zarko Vijatovic

March 23, 1987 (The Nature of the Universe), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Galerie Frank Elbaz, Paris, France
Photo: Zarko Vijatovic

October 13, 1975 (Meditation: The Answer to all Your Problems?), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Galerie Frank Elbaz, Paris, France
Photo: Zarko Vijatovic

August 4, 2003 (The Science of Meditation), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Galerie Frank Elbaz, Paris, France
Photo: Zarko Vijatovic

April 16, 1990 (Unlocking the Secrets of the Universe), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Galerie Frank Elbaz, Paris, France
Photo: Zarko Vijatovic

April 16, 1990 (Unlocking the Secrets of the Universe), 2013
March 23, 1987 (The Nature of the Universe), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each
Installation view, Galerie Frank Elbaz, Paris, France
Photo: Zarko Vijatovic

June 14, 2004 (Ronald Reagan 1911-2004), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Time, People, Money, Crickets
SITE Santa Fe, Santa Fe, USA, 2013
Photo: Kate Russell

December 26, 1969 (Is God Coming Back to Life?), 2012
February 5, 1996 (Is Anybody Out There?), 2013
Enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each
Installation view, Mungo Thomson: Time, People, Money, Crickets
SITE Santa Fe, Santa Fe, USA, 2013
Photo: Eric Swanson

January 11, 2012 (How to Die), 2012
October 20, 1980 (Carl Sagan), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each
Installation view, Mungo Thomson: Time, People, Money, Crickets
SITE Santa Fe, Santa Fe, USA, 2013
Photo: Eric Swanson

October 20, 1980 (Carl Sagan), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Time, People, Money, Crickets
Contemporary Art Gallery, Vancouver, Canada, 2015
Photo: Scott Massey

October 20, 1980 (Carl Sagan), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Time, People, Money, Crickets
Contemporary Art Gallery, Vancouver, Canada, 2015
Photo: Scott Massey

February 5, 1996 (Is Anybody Out There?), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Time, People, Money, Crickets
Contemporary Art Gallery, Vancouver, Canada, 2015
Photo: Scott Massey

April 8, 1966 (Is God Dead?), 2013
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Mungo Thomson: Time, People, Money, Crickets
Contemporary Art Gallery, Vancouver, Canada, 2015
Photo: Scott Massey

March 6, 1995 (When Did the Universe Begin?), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM
Installation view, Made in Space
Gavin Brown's Enterprise, New York, USA, 2013
Photo: Thomas Müller

June 25, 2001 (How the Universe Will End), 2012
Enamel on low-iron mirror, poplar and anodized aluminum
74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each
Installation view, Made in Space
Gavin Brown's Enterprise, New York, USA, 2013
Photo: Thomas Müller

Font Study (TIME), 2011
Artist's book, full color, 196 pages
13.25 x 10.25 x 0.8 inches / 33.5 x 26 x 2 CM
Designed by Mungo Thomson and Mark Owens
Published by Los Angeles County Museum of Art
Photo: LACMA

Font Study (TIME), 2011
Artist's book, full color, 196 pages
13.25 x 10.25 x 0.8 inches / 33.5 x 26 x 2 CM
Designed by Mungo Thomson and Mark Owens
Published by Los Angeles County Museum of Art
Photo: LACMA

Untitled (TIME), 2010
Video
2:30 minutes
Installation view, Untitled (12th Istanbul Biennial)
Antrepo, Istanbul, Turkey, 2011
Photo: Niels Vis

Untitled (TIME), 2010 (Video Excerpt)